The cart separates into its three modules. The top one opens on the field computer, already running the acquisition workflows.
The battery bay opens below; drawers slide out on the 101-megapixel camera and the structured-light scanners.
Everything folds back into one compact cart: five minutes from the parked car to the first scan.
It turns on the spot and rolls through a crowded gallery like any museum cart.
On the kit's PC
Preinstalled on the kit's computer, the AerariumChain field app guides every acquisition through predefined workflows: 3D scans and photographs are collected artwork by artwork, packaged in order, and uploaded to the cloud in real time or later, automatically.
Every artwork goes through the same guided steps: nothing gets forgotten, nothing gets misnamed, whoever the operator is.
Scans and photographs land already structured per artwork, ready for the cloud pipeline and for delivery.
In real time over 5G, or deferred when the museum's network allows: the queue handles ordering and retries on its own.
The day's work lives in a local database on the kit and leaves only when the upload is confirmed.
Specifications
Non-contact capture, museum-grade lighting, and a cart that moves through a gallery without touching a thing.
The kit is built for a single trained operator: no scaffolding, no crew, no closed rooms for weeks.
Every capture is notarized on public blockchain the moment it happens: the twin is born certified.
On the field
That is the pace this cart already keeps, proven on more than 10,000 scans and in the hardest field conditions.
Time and cost decide a digitization project when the collection holds thousands of works. Scanning them without ever moving them decides even more.
Training
AerariumChain runs digitization campaigns end to end. But we believe in the growth of the professional community of specialists: conservators, registrars and photographers who master these tools themselves.
That is why the kit, the field app and the training that comes with them are built to bring technology and skills directly into museums: your people, your collection, your capability.
