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Supercomputing, at the service of art.

A digital twin is heavy science: hundreds of millions of points, Gigapixel surfaces, spectral stacks. Moving, processing and serving that requires high-performance computing. Our job is making that power invisible: the museum sees a browser tab.

GPU processing pipeline

Mesh reconstruction, texturing, Gigapixel tiling and metadata run on GPU workers in the cloud: hours of supercomputer work per artwork, none of it on your hardware.

AI that reads the surface

Algorithms compare scans across time and flag sub-millimeter change: cracks, warping, paint loss, before the eye can see them.

Streaming with progressive detail

Geometry and texture stream as levels of detail: the GPU only holds what is on screen. A 5 GB master runs at 60 fps on a five-year-old phone, streamed like an ordinary movie.

Notarization on public blockchain

Every file's fingerprint gets a certain timestamp at capture: provenance and integrity you can prove, forever.

Distributed by design

Storage, compute and distribution scale across independent nodes; institutions keep their keys and their data sovereignty. The network →

Security first

Encrypted, versioned, replicated. The institution owns every right to its data, and can take it away: export is always available.

Interoperability

Built to plug into national heritage systems.

A digitization project should end with a certified delivery, not with a hard drive. The HUB ships with a connector layer for state systems, starting with Italy's Digital Library.

The new era for art

Old cataloging systems were not built for this.

When the work means processing enormous volumes of data, coordinating GPUs, analysis algorithms and AI under heavy loads, moving files of several gigabytes each, and still delivering all of it to everyone on the device in their hands, a record-keeping system from another era cannot carry the weight.

And the challenge is no longer just technical. Museums are evolving into increasingly complex organizations, where exhibitions, budget and conservation pull on the same collection at once. The people who manage it deserve tools built for that reality.

This is what AerariumChain is for: supporting those who run great collections and institutions, public and private, by putting these technologies at everyone's service.

Legacy collection managementAerariumChain HUB
What it holdsRecords and photographsCertified 3D, Gigapixel and spectral twins
DiagnosticsManual notes at inspection timeAI comparison between scans, on demand
AccessWorkstation clients, exportsStreams full resolution to any device
ScaleOne record at a timeTerabytes per artwork, GPU pipeline
Delivery to state systemsManual packagingAutomated certified packages (METS)
Beyond the archiveNot coveredExperiences and fundraising built on the twin

Already running another system? Considering an integration, or a replacement? Both paths are ours every week.